Showing posts from 2022Show all
Glass Onion: A Knives Out Mystery (2022) - Review
Triple Bill: Written and Directed by Kenneth Lonergan
O.J: Made in America, By Ezra Edelman – The Documentary of Our Time
Sr. (2022) – Review
Double Bill: Written and Directed by Todd Field
Confess Fletch (2022) – Review
Living (2022) – Review
Hellraiser: Double Bill – Hellraiser (1987) and Hellbound: Hellraiser II (1988)
My Policeman (2022) – Review
Speak No Evil (2022) – Review
Bros (2022) – Review
Barbarian (2022) – Review
Hellraiser (2022) - Review
 The Banshees of Inisherin (2022) – Review
Barry: Season 3 (2022) - Review
Smile (2022) - Review
Halloween Ends (2022) - Review
The Lost King (2022) – Review
Amsterdam (2022) – Review
Mrs Harris Goes to Paris (2022) – Review
The Woman King (2022) – Review
Cha Cha Real Smooth (2022) – Review
Pinocchio (2022) – Review
   Pearl (2022) – Review
X (2022) – Review
Blonde (2022) – Review
Benedetta (2022) – Review
Only Murders in the Building: Season 2 (2022) – Review
Don’t Worry Darling (2022) – Review
Ticket to Paradise (2022) – Review
The Phantom of the Open (2022) – Review
Blow Out – Where a Backdrop and a Sound Effect Make a De Palma Masterpiece
Moonage Daydream (2022) – Review
Crimes of the Future (2022) – Review
See How They Run (2022) – Review
Bodies Bodies Bodies (2022) – Review
Men (2022) – Review
The Forgiven (2022) – Review
Fire Island (2022) – Review
Bullet Train (2022) – Review
The Stepford Wives (2004) – Same Story, Different Beast Entirely
The Effortless Charisma of Vince Vaughn
Nope (2022) – Review
Michael Mann – A Tactical, Brilliant Director – Part Two
Elvis (2022) – Review
Michael Mann – A Tactical, Brilliant Director – Part One
The Future by Paul Verhoven
Triple Bill: Paul Newman Directed by George Roy Hill
Top Gun: Maverick (2022) – Review
Paul Newman as Director; ‘The Effect of Gamma Rays on Man in the Moon Marigolds’
Triple Bill: Paul Newman Directed by Martin Ritt
The Night Porter – Still Disturbing, Still Daring, Still Haunting
“Come To Laugh, Come To Cry” – Terms of Endearment, a True Dramatic Masterpiece
Down With Love: A Darling Homage to a Bygone Film Era
Elaine May: A Comedy God In-Front and Behind the Camera
Todd Haynes – The Unsung on Film (Part Two – 2010’s)
The Batman (2021) – Review
Todd Haynes – The Unsung on Film - Part One
Death on the Nile (2022) - Review
Moonfall (2022) – Review
Jackass Forever (2021) – Review
‘Sweet Smell of Success’: The Glorious Taste of Arsenic
My Top 20 Films of the Year (Start of February 2021 – End of January 2022)
The Thomas Carruthers Awards 2021 (Yes, we’re doing this now!)
The Card Counter (2021) – Review
Another Round (2021) – Review
Belfast (2022) – Review
Nightmare Alley (2022) – Review
Licorice Pizza (2022) – Review
Scream (2022) – Review
The Lost Daughter (2021) – Review
Being the Ricardo’s (2021) – Review
The Matrix Resurrections (2021) – Review
Scream: Wes Craven’s Quadrilogy of Meta Terror