Showing posts from 2024Show all
Alexander Payne’s Evergreen Political Masterpiece; Election
Shampoo – Beatty, Ashby, Towne and the Many Other Women
Speak No Evil (2024) – Review
Steve Martin – Original Screenplays (In Some Sense of the Word)
Beetlejuice Beetlejuice (2024) – Review
Sing Sing (2024) – Review
   Blink Twice (2024) – Review
   Steve Martin and Carl Reiner – A Comedy Pair For the Ages
Alien Romulus (2024) – Review
Steve Martin - Acting other People’s Words
Trap (2024) – Review
Deadpool and Wolverine (2024) – Review
Triple Bill: Love Affair Through the Years
Twisters (2024) – Review
Beverly Hills Cop: Axel F (2024) – Review
Longlegs (2024) – Review
In a Violent Nature (2024) – Review
Halloween – THE WHOLE SAGA (Part Three)
Fly Me to the Moon (2024) – Review
   Maxxxine (2024) – Review
Kinds of Kindness (2024) – Review
 Halloween – THE WHOLE SAGA (Part Two)
A Quiet Place: Day One (2024) – Review
Horizon – An American Saga: Part One (2024) – Review
The Bike-Riders (2024) – Review
   Warren Beatty’s Misfire of all Misfires; Bulworth (1998, Written by Beatty and Jeffrey Pikser)
Hit Man (2024) – Review
Halloween – THE WHOLE SAGA (Part One)
The Way We Were (1973) – Barbara, Robert and Sydney
   Cruising and Jade – Friedkin’s Successes and Failures in the Erotic Thriller Genre
Oliver Stone’s Nixon, His Mirror to JFK.
 Blazing Saddles (1974) – 50 Years On
Shcrader’s American Gigolo – A Statement on a Decade and a Statement of Intent
Dead Poets Society (1989) - The Beauty and Pain of Coming of Age
   Robert Altman’s The Player (1992)
“The American Dream is a product”: Comparing Arthur Miller and David Mamet’s portrayal of the salesmen of said Dream.
Furiosa: A Mad Max Saga (2024) – Review
Giving Up Berlin - Comparing the presentation and dissection of America and the nuclear family in Albee’s “Who’s Afraid of Virginia Woolf” and William’s “Cat on a hot tin roof”
Love Lies Bleeding (2024) – Review
Triple Bill: Written and Directed by Colin Higgins
The Fall Guy (2024) – Review
Abigail (2024) – Review
Late Night With The Devil (2024) – Review
The First Omen (2024) – Review
Immaculate (2024) – Review
Civil War (2024) – Review
   Mother’s Instinct (2024) – Review
Ghostbusters: Frozen Empire (2024) – Review
Challengers (2024) – Review
‘More Than a Study in the Tragedy of Mundanity’; A Study of ‘Everyday Tragedy’ within Alan Bennett’s “Talking Heads”
Lisa Frankenstein (2024) – Review
   Drive Away Dolls (2024) – Review
Dune: Part Two (2024) – Review
Back to Black (2024) – Review
The Big Chill, Forty Years On from Fifteen Years On – Everything Still Fits
Brian De Palma, “the Modern Master of Suspense” (Part Four – 00s and Onward)
Brian De Palma, “the Modern Master of Suspense” (Part Three - 90’s)
Brian De Palma, “the Modern Master of Suspense” (Part Two – 80s)
Wicked Little Letters (2024) – Review
Madame Web (2024) – Review
Bob Marley: One Love (2024) – Review
Brian De Palma, “the Modern Master of Suspense” (Part One – 60s and 70’s)
All of Us Strangers (2023) – Review
The Iron Claw (2023) – Review
   Mike Nichols: The Greatest (The 00’s)
The Thomas Carruthers Awards 2023 (Yes, it’s back! Again!)
My Top 20 Films of the Year (Start of February 2023 – End of January 2024)
D*cks the Musical (2023) – Review
The Royal Hotel (2023) – Review
The Holdovers (2023) – Review
American Fiction (2024) – Revi
Mike Nichols: The Greatest (The 90’s)
Argylle (2024) – Review
The Killer (2023) – Review
The Zone of Interest (2023) – Review
Ferrari (2023) – Review
May December (2023) - Review
Eileen (2023) – Review
Maestro (2023) – Review
One Life (2024) – Review
Dream Scenario (2023) – Review
Anatomy of a Fall (2023) – Review
Anyone But You (2023) – Review
Poor Things (2023) – Review
Saltburn (2023) – Review
Triple Bill: Directed by Jonathan Glazer